Shooting with a 50mm f/1.2 old lens in Kyoto on black & white film // Nikon F4

I went to Kyoto in summer, brought 
along my Nikon F4 and a 50mm f1.2 AI-S manual lens. My friend runs a 
kimono rental shop right across from the four season hotel in Kyoto. I dropped 
by her place and took some photos there. I finished a roll of ILFORD Pan100 in the 
camera and switch to the Kodak Double-X. ISO 100 film isn’t great for indoor 
shooting. It’s just too slow. So, I’m going to loading the Double-X and pushing 
it to the ISO 800. Yeah, the Double-X handles pushing better. I developed the Double-X 
using HC 110 dilution B for 12 minutes. On the streets of Kyoto, you see lots of 
foreign tourists renting kimonos. You can usually tell them apart from the locals who wear 
kimono daily. Local Kyoto woman who wear kimonos regularly walk quickly and naturally. Tourists on 
the other hand often struggle a bit and move more carefully. Also, the patterns and the colors of 
their kimonos are quite different. That comes down to a cultural difference in taste and aesthetic 
between Japanese people and foreign visitors. Here is Miyagawa Cho. I like 
walking around here. It’s a quiet little street where Maiko san often appear. Manfuku-ji. This Buddhist temple is the head temple of 
the Obaku sect. One of three major Zen sects in Japan. It’s located in Uji Kyoto. Actually, 
there is an even older Manfuku-ji in Fujian, China, founded in 789 by master 
Zhengan of the Tong Dynasty. In 1654, a monk named Ingan came to Japan and 
established the Japanese temple found in the Obaku sect here. It’s a really quiet 
place. Almost no tourists visit this place. I went there hoping to hear the monk’s chant 
in the afternoon, but I didn’t get the chance. You know, the Japanese Buddhist chanting sounds 
different from the Chinese style. It’s flatter in tone with less emotional variation. I actually 
prefer it. But this time all I heard was the beautiful sound of wind chimes in the summer 
breeze. I sitting here quietly in the temple feeling the breeze and uh listening to the wind 
chimes. That sense of peace was enough for me. Still using the pushed double X at ISO 
800. You can see how pushing it to 800 doesn’t hold up well in high contrast 
scenes. The highlights get blown out and lose that film specific highlights tones 
and uh yeah I extended the development from 6 to 12 minutes. That’s too 
much for bright part highlights. On the way back to Kyoto from Uji 
by train, I stopped at Tofukuji station. It’s one of my favorite spots, a 
railroad crossing, the 踏切. I really like it. After finally finishing the row of 
double X, I loaded a ILFORD Pan100 again. And uh yeah, definitely shoot at 
box ISO always the best choice.

#kyoto #filmphotography #streetphotography
A quiet summer in Kyoto, captured on film.
In this video, I shoot with a Nikon F4 and a 50mm f/1.2 lens, using both ILFORD Pan100 and Kodak Double-X. I visit a friend’s kimono shop, walk around peaceful old streets, and sitting in the temple, feeling the breeze and listening to the wind chimes.
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#NikonF4 #DoubleX #JapanTravel

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24 Comments

  1. Extraordinary grey tones, Steven. I find the F4's mirror balancer helps so much with slower shutter speeds. You remind me I should be using that body more.

  2. I would have to take two cameras so I wouldn't miss a color or B&W shot. (Actually, this is always how I traveled before; two film cameras and a digital. Quite cumbersome.)

  3. Really nice approach, alas , with These colorful Kimonos I often miss the color in the persons Photos, a saturated color Film would have been great here.

  4. I loved the kimono shop and rail crossing photos ❤
    Why did you choose the F4 over F3 when you were using a manual focus lens?

  5. A photograph does not need to be perfect to be pleasing. I do like the iso 800 photos from the monastery, even with the blowouts, they do have a natural look to them. Thank you for sharing.

  6. Always great photos and video 🙂 Looks like you had a great summer.
    Japan's summer has been getting hotter and hotter. Kyoto area being a basin makes it so much worse. It would take me a great effort to try to come up with the will to visit in summer again. haha.

  7. Hello Steven. I follow you since a longer time now. It is always a pleasure to watch your videos and photographies. Congratulation also to this new video. Excellent work. Greetings from the south-west of Germany. Have a nice day! Your fan Thorsten.

  8. Beautiful shots Steve . You have just proven why still using film is so important and definitely impressive. Digital users take note 👍

  9. Marvelous Steven… Your street images are truly classic and so interesting, you have a great eye. The making and pinning of the Kimonos was fascinating to watch, there's so many cultural things to see in Japan. Although I'm lucky to be quite well traveled, I've never visited Japan, but I plan to make a tour of perhaps 3 weeks in length with my wife and daughter who speaks some Japanese, but there is so much to see, it is taking a lot of research and planning. My wife is Vietnamese and she so wants to see the famous Japanese Autumn colours and has never been in the snow. If we went to the far south of Japan in, say mid November then went slowly north through all the places and arrive in Hokkaido at the beginning of December, is it likely there would be some snow already? Sorry to ask, it's difficult to find reliable information, cheers Robert.

  10. Thanks for a beautiful video and tour of Kyoto. I was there briefly in 1996 on tour with a concert band. We got to see a few sights but didn't have enough time to really enjoy the city. Now, I'm too old to travel, so I really enjoyed the sights and sounds your video presented. I currently own 3 Nikon F4 bodies, and it remains one of my favorite Nikons of all time. Regretfully, I sold my pristine copy of the 50mm f/1.2 some years ago, but I still shoot with the F4 and develop my own black and white film.

  11. As a young man in love with photography, I once went to a photo shop where the old man told me. " All you need is one camera and one lens." I responded by saying, " that's it." No, he said. "Learn how to see." I see this in your video. I'am so great full for your reminder Mr. Tanno. Thank you sir. God Bless you sir.

  12. Thank you Steven for letting me spend some time with you in Japan. Your images set the mood for a more sane perspective on life.