From April 29 to May 4, the Teatro Lo Spazio in Rome will once again host the theatrical play “The Daughter of Kyoto Zhang,” written and directed by Massimo Odierna. The performance, excluding May 1,… Tutti gli articoli del sito, anche da appApprofondimenti e newsletter esclusive Già abbonato? Accedi qui!
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SCEGLI ORA From April 29 to May 4, the Teatro Lo Spazio in Rome will once again host the theatrical play “The Daughter of Kyoto Zhang,” written and directed by Massimo Odierna. The performance, excluding May 1, fits into the contemporary theatrical landscape as a black comedy that lightly, nihilistically, and with politically incorrect language explores the themes of madness and alienation of our times. Set in an undefined and altered present, the play presents extreme characters, often ridiculous or violent, in an essential scenic space devoid of stage elements, leaving the actors’ performance at the center of attention. A plot of extreme characters and social questions The narrative follows Thomas, a man living day by day, between women and rivers of alcohol. During one of his encounters, he is approached by Libero, an old scouting companion, who asks for his help to find Noa, a sixteen-year-old girl he has fallen for and who has gone missing. Noa is the daughter of Kyoto Zhang, head of the imperial guards. Initially, Thomas refuses the request, judging it absurd, but later decides to exploit the situation to win back his ex-girlfriend Amélie, a girl distinguished by her empathy and desire to save the world. The lives of these three protagonists will intertwine in the search for Noa, giving rise to a story that also involves secondary characters such as a pederast father, a devoted mother, a grumpy sorceress, and other eccentric characters, including Jasmine, Sharon, Tinetta, Clotide, Brooke, and a spiritual master. The play stands out for its surreal and provocative tone, awarded with a special mention by the jury at the Festival InDivenire 2023 for its original idea.
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